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Bringing It All Back Home is the fifth studio album by American singer-songwriter Bob Dylan, released on March 22, 1965 by Columbia Records. The album is divided into an electric and an acoustic side, although the acoustic side included some tracks in which other instruments were backing up Dylan and his guitar, but no drums were used.

• ' / ' Released: March 8, 1965 • ' / ' Released: June 1965 • ' Released: July 20, 1965 Bringing It All Back Home is the fifth studio album by American singer-songwriter, released on March 22, 1965. The album is divided into an electric and an acoustic side, although the acoustic side included some tracks in which other instruments were backing up Dylan and his guitar, but no drums were used. On side one of the original LP, Dylan is backed by an electric band—a move that. Likewise, on the acoustic second side of the album, he distanced himself from the with which he had become closely identified (such as ' and '), as his lyrics continued their trend towards the abstract and personal.

The album reached No. 6 on 's Pop Albums chart, the first of Dylan's LPs to break into the US top 10. It also topped the UK charts later that Spring. The first track, ', became Dylan's first single to chart in the US, peaking at number 39. This section needs additional citations for. Unsourced material may be challenged and removed.

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Find sources: – ( July 2017) () Dylan spent much of the summer of 1964 in, a small town in upstate. Dylan was already familiar with the area, but his visits were becoming longer and more frequent. His manager, Albert Grossman, also had a place in Woodstock, and when went to see Dylan that August, they stayed at Grossman's house. Baez recalls that 'most of the month or so we were there, Bob stood at the typewriter in the corner of his room, drinking red wine and smoking and tapping away relentlessly for hours.

And in the dead of night, he would wake up, grunt, grab a cigarette, and stumble over to the typewriter again.' Dylan already had one song ready for his next album: 'Mr. Tambourine Man' was written in February 1964 but omitted from. Another song, ', was also written earlier that year, appearing in the original manuscripts to Another Side of Bob Dylan; a few lyrical changes were eventually made, but it's unclear if these were made that August in Woodstock.

At least two songs were written that month: ' and '. During this time, Dylan's lyrics became increasingly. His prose grew more stylistic as well, often resembling writing with published letters dating from 1964 becoming increasingly intense and dreamlike as the year wore on. Dylan eventually returned to the city, and on August 28, he met with for the first time in their New York hotel (during which Dylan reportedly turned the band on to ), a meeting which would bring about the radical transformation of the Beatles' writing to a more introspective style. In retrospect, this meeting with The Beatles would also prove to be equally influential to the direction of Dylan's music, as he would soon record music invoking a rock sound for at least the next three albums. Dylan would remain on good terms with The Beatles, and as biographer writes, 'the evening established a personal dimension to the very real rivalry that would endure for the remainder of a momentous decade.'